Thom Morecroft's records unfold slowly — spare arrangements, close attention to lyric detail, and a knack for a melody that reveals itself on a third or fourth listen rather than the first. Two full-lengths into his time with 9x9, his songwriting keeps quietly sharpening.
His catalogue on the label spans Waiting for Leo and The Feng Shui and the Sushi, released two years apart but cut from the same patient, understated cloth.